![]() The next step is to play this accompaniment with the backing track that is included with this lesson. Therefore, a 1-6-2-5 progression in F major using guide tones looks like this. Typically you will need to invert the guide tones at times to keep good voice leading. The term g uide tones refers to the 3rd and 7th of each chord. For example, if you are a beginner, a perfect place to begin is to use guide tonesfor the weak beats. Consequently, this harmonic rhythm lends itself well to a “root-chord” accompaniment pattern in which you play the root on the strong beats and a subsequent voicing on the weak beats in the tenor register. The turnaround progression often features a half-note harmonic rhythm, which means that the chords change every two beats. However, you may also see this chord sequence indicated with Roman numerals such as I-vi-ii-V. In other words, the chord sequence cycles from the 1 chord, to the 6-chord, to the 2-chord and finally to the 5-chord before repeating. The turnaround progression, also called Rhythm Changes, is a 1-6-2-5 progression. Today’s lesson applies the cocktail blues piano style to one of the most common chord progressions in jazz music- the turnaround progression. So, how can you apply this style to your play? Just follow these 4 simple steps. It also features a solid triplet subdivision in the accompaniment. Cocktail Blues Pianoĭoesn’t that sound amazing? This playing style retains the overall cocktail piano genre, while inserting the personality of the blues to the melody-almost like an in-law during a dinner conversation (but arguably more tasteful). By contrast, listen to the following example which applies the cocktail blues stylization to the exact same melody and chords. This style of piano playing features lush jazz harmonies, enchanting melodies and often a “straight 8th” subdivision as in the example above. To clarify, let’s look as some examples. The excerpt below represents the traditional jazz ballad style, or cocktail jazz. However, Jonny uses this term to describe more of a specific dialect in the broader linguistic domain of cocktail jazz piano. You might be asking, “What a minute Jonny…I’ve heard of cocktail piano and I’ve heard of blues piano, but never cocktail blues piano?” You’re right that cocktail blues piano isn’t exactly an established mainstream musical genre. Intermediate and advanced players will love adding this elegant mix of traditional jazz ballad playing and blues piano for a sound that is simultaneously sophisticated and sassy. However, if you want to be able to stylize your solo cocktail piano playing with tasteful ornaments like Ray Charles and Billy Joel, this Quick Tip on cocktail blues piano is for you. Similarly, today’s Quick Tip topic, Cocktail Blues Piano, is somewhat of an anomaly. And just like when it comes to in-laws…a bit of graciousness goes a long way. A diplomatic response would be, “they are both well-suited for casual listening.” However, a more gracious tone would be, “they are even better when taken together.” Of course, modern jazz music is as diverse as the audiences who embrace it. What do in-laws and cocktail jazz have in common? A jazz artist of high educational pedigree would answer, “neither are part of the family.” Incidentally, that artist probably lives alone. ![]()
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